Beyond contact vivian koch3/29/2023 ![]() Let’s talk about the music video for ‘You, Me and Everything To Me’, did you know the track would have these clips of you as a child behind it during the production process or did that come later? I write most of my songs by soundtracking something with an emotive flair – usually either a made up or real scenario, and that’s pretty much how this project came together! ![]() Of course, the first EP of the label is from none other than Primrose himself! What was the inspiration behind this four-tracker? It kept getting delayed and then once that got cancelled I saw it as the perfect opportunity to get the ball rolling! My debut was initially due to come out on a different label. I wanted to have an outlet to release my own productions while also overseeing the visual identity of it all, which I think goes hand-in-hand with my music. I had the idea for Primrose County many moons ago but never really got round to doing it. Let’s talk about your new label ‘Primrose County’ - when did you decide you would start it up and why? My name’s Jamie, I’m a musician from London who makes music as Primrose, and I’ve just released my debut EP, which is my first electronic output having previously only released with bands. Why don’t you start by introducing yourself. Hey Primrose! How are things? Lovely to have you on the series. Pépe - It’s The Lights That Make You Pretty ![]() Sam Goku - Earlier Forms (Paula Tape ‘Bubble’ Remix) Vivian Koch - Lil Birdy Starts To Fly Againīayview Acid Squirrels - Love Is The Slug ![]() He blends bouncy club focused rhythms and the other-worldly soundscapes of dreampop, film soundtracks, and shoegaze, culminating into a fresh and distinctive sound that he affectionately refers to as ‘Blade Runner Techno’.Īs a DJ, Primrose is drawn to dramatic, emotional sounds and storming rhythmic transmissions from across the spectrum of electronic music and beyond, weaving between house, techno, 80s New Wave, post-punk & EBM. Order a copy from Bandcamp.Bringing in Tapes #61 is London-based musician Primrose, who creates spellbinding, colourful electronic music. It is that uncanny ability of ‘ Beyond Contact‘ to almost physically wrap itself around you as it plays is its key: like some sort of aural swaddling, you find anxiety slipping away to be replaced by unconditional bliss. Textural dreaminess is underscored by a knack of dropping in a chewy hoover bass line, such as on the residual rave of ‘ Closed‘, or Sasha-esque arpeggios decorating tracks like fairy lights, with the reverb drenched ‘ Enter‘ verging on sensory overload as the ribbons of melody swirl around your body. Before long muscle memory will start it playing for all those little moments of downtime that crop up in the day, your internal mental archiving system will start placing it alongside other significant works from years gone by – which, for me, a companionship with elements of Bola ‘ Soup‘ and The Orb ‘ Orbus Terrarum‘ find themselves being recalled. With a run time a shade over half an hour, you’ll hit the rewind button repeatedly, indulging in little personal journeys of thought each time. Not through a glutenous buffet of starch, but as eardrum teasing morsel. ‘ Beyond Contact‘ is akin to hearing your all time favourite euphoric breakdown, except it is like glancing at a naked Edison bulb, the after-image of the filament ghosting across your vision after you shut your eyes, glowing purple and green in the void behind your eyelids.Īs an album ‘ Beyond Contact‘ is wonderfully consumable. Having established a motif of emotive techno, an outing on AD 93 has given an opportunity to broaden out into a wider horizon. Her cut on last year’s Life & Death compilation ‘ Anthems For No State‘ was arguably the best on a release laden with strong tracks. Glutenous buffet of starch, but as eardrum teasing morsel"īerlin based producer Vivian Koch is an artist to keep an eye on. "As an album 'Beyond Contact' is wonderfully consumable.
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